Around Mzanzi
Is AMAPIANO genre dying?
The Rise, Transformation, and Future of Amapiano briefly explained.
Amapiano has grown into one of South Africa’s most popular sounds, blending unique beats and rhythms that continue to capture audiences locally and globally, while some question its future and how the genre might be dying, let’s delve into the factors that cause that & what is happening.
The Rise, Transformation, and Future of Amapiano briefly explained.
Amapiano has grown into one of South Africa’s most popular sounds, blending unique beats and rhythms that continue to capture audiences locally and globally, while some question its future and how the genre might be dying, let’s delve into the factors that cause that & what is happening.
Amapiano is not dying in the sense that the audience is dropping. The numbers are still increasing in Amapiano, but the mega superstar era seems to be coming to an end because many artists are making it now, and they step over each other’s rise to becoming mega stars. The genre has peaked, and it is unlikely to peak higher than it did in past years.It won’t die. It will remain very high, but one thing could happen that would make it look like it died in the coming years, and that is evolution. Black people aren’t known for keeping one sound the same over and over. Black people are music, so what will start appearing more often is Amapiano crossing over into other genres through experimental sounds that may morph it into something else. Crossovers with Afro beats, kwaito, and hip hop have already begun.With sounds like 3 step coming in, it may never peak where Amapiano once peaked, but Amapiano may combine with it to evolve the sound. It is likely to become something harder to identify as piano, similar to how RnB is difficult to identify nowadays, but the genre will remain, at least in this lifetime.And surprisingly, it continues spreading globally. As normalised as it is in SA, it is still a sound others are learning or getting used to out there.
What are your thoughts on the genre. Hit us in the socials comments, we’re looking forward to hearing from you.
Lucasraps just called his shot.
“Y.O.G” (Year of Greatness) lands like a statement, not just a release. Dropped at midnight on 20 March, the project carries the same energy he’s been teasing all month — focused, hungry, and intentional.
“eGoli” set the tone early, blending melody with real-life reflection, and the rest of the tape follows through. Ten tracks, no filler. Just Lucasraps moving between introspection and flex, without losing himself in the process.
From Location Hurting 3 to now, the growth is clear. The conversations about whether he’s underrated? They only add pressure — and he sounds ready for it.
“Y.O.G” feels like a level-up moment. Not loud, not forced. Just a young artist stepping into his space and owning it.
K.O is in his reflective bag.
“20 Summers” isn’t just another drop, it’s a timestamp. Released on 20 March 2026, exactly 20 years since he stepped into the game, the joint finds him looking back without sounding stuck.
The production leans into African textures layered over clean hip-hop drums, while K.O keeps it honest. No gimmicks, no chasing trends , just perspective. He talks longevity, discipline, and what it really takes to stay relevant when the game keeps moving.
From Teargas days to Skhanda World, this is a full-circle moment. And instead of celebrating loudly, he chooses to speak calmly, like someone who knows exactly what they’ve built.
“20 Summers” feels less like a victory lap and more like a reminder: K.O is still here, still sharp, and still moving with intention.
Listen to 20 Summers Below
Lewi Ercoll and Ukhona have released the official music video for “TOO LATE,” a standout from their collaborative project BLOOD BEHIND THE VEIL.
The visual draws clear inspiration from Brenda Fassie’s iconic “Too Late for Mama,” reimagining its emotional depth through a modern lens.
Rather than a remake, the video captures similar themes of regret and consequence, using intimate storytelling and symbolic visuals to connect past and present.
With this release, the duo delivers a thoughtful tribute while continuing to shape their own voice in South African music.
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